Wednesday, 26 August 2015

Chasing Sunflowers - author interview by Katie O'Rourke



INTERVIEW WITH AUTHOR ALISON BOULTON


Years ago, I discovered a book called Tom’s Daughterson a writing website and it was so good that I bought a version when it was self-published. It was the first e-book I ever purchased and remains one of the best I’ve read. I still remember the characters like they were real people. So when I heard that the author, Alison Boulton, was publishing a second novel – I jumped at the chance to do an interview.
KO: What did you learn about self-publishing from your first book? How are things different this time around?
AB: An acquaintance suggested that he helped me self-publish Tom’s Daughters as an e-book to see if he could ‘make us both a fortune.’ I was happy to accept this as it hadn’t been picked up despite being sent to numerous agents. I wasn’t comfortable negotiating the formatting and the technical stuff required to put in on Amazon for Kindle. He also did the cover from a photo I provided and set up a website. I think the deal was that he got 25% of revenues. The downside was that when sales were slow he lost interest and I got frustrated nagging for information and at not having control to update accounts myself.
This time round I wanted control from the beginning, and I also wanted a book that I could hold in my hand. I’ll put it on Kindle later, of course, but having the paperback makes publication and being a writer feel much more real. I think other people’s reactions have been more positive too.
KO: Where do you get your story inspiration from?
AB: For me a story starts with an image or a couple of images that are linked in some way. With Tom’s Daughters I wanted to write about sisters, but there was also the picture of a young woman with a small child in North London. The issue of the mysterious father was hovering in the background.
With Chasing Sunflowers it was again the image of a child, this time a boy, painting sunflowers for his mother. It was clear they were in Amsterdam where I also lived for a few years, and that the mother was lonely.
I then have to sit and try and work out the bones of a plot. Sometimes I write random scenes or conversations. Chasing Sunflowers was written first as a short story, but then it slowly grew into a novel, changing and developing in the process. The actual ending was the last thing to become clear.
KO: What kind of writer are you? Do you plot everything out before writing or does it evolve throughout the process? Do you force yourself to write every day? How long does it take to write a novel?
AB: The writing definitely evolves, but there has to be a certain amount of plotting too, plus a timeline of events. It always takes me a while at the beginning to sort dates out – how old was that character when this happened, etc.? And some thought must go into how the threads of the story entwine and unfold to keep the reader interested. There should, I think, always be some sort of denouement at the end. And I don’t really like sad endings, so I haven’t written one yet!
And it takes me ages to finish a novel, maybe even two or three years, because other stuff – like teaching and running our holiday complex – get in the way. I have to earn a living, unfortunately. I’m hoping the next one, currently called The Red Balloon, will be quicker though. And I do try to at least look at it every day but I don’t always succeed.
KO: Tell us about Chasing Sunflowers. Who is your audience?
AB: Chasing Sunflowers is the story of Kate, who moves to Amsterdam with her husband and young son. Lost and lonely in a new city, she develops a passion for the paintings of Vincent van Gogh. Her decision to study them leads her to artist Rudy de Jong and following in Vincent’s footsteps, she makes a trip to Arles which transforms her life.
So, it’s a book about a woman who steps outside her own life, and how the experience changes her. There’s quite a lot about Amsterdam, the south of France and Vincent van Gogh too.
My first audience is me, since it was me I told the story to first and I liked it. So after that people a bit like me, I suppose; usually female, maybe over 25, though my daughters who are 20 and 22 enjoyed it too.
KO: What are your favorite books?
AB: I mostly read books about ‘real’ people and characters in plausible situations. I’m not a fan of Magic Realism or Fantasy novels. I hate anything sensationalist, badly written or too soppy. I love Ian McEwan, AS Byatt, Anne Tyler, and Doris Lessing amongst many others. Some of Lessing’s writing is futuristic, but then I love the prophetic nature of her work. Also EM Forster; I always say Howards End is my favourite book. I don’t know if it’s really true but it’s definitely up there.
KO: Alison, thanks so much for sharing and best of luck with the new book.
Interviewer Katie O Rourke. Originally published on Todays Author http://todaysauthor.com/2015/08/26/interview-with-author-alison-boulton/

Friday, 14 August 2015

Chasing Sunflowers - a snippet



'Panneau' of Van Gogh's painting; les Alyschamps, Arles
‘Here’s the panneau,’ Rudy said. ‘It’s a study of autumn leaves rather than the burial ground.’

Kate examined the picture. It wasn’t a painting of history. Vincent seemed to have lived quite spectacularly in the present; autumn trees, the long alley, the cold blue-grey stone of the tombs, figures – people moving across the canvas. A transiting moment captured and stilled, a slither of time under a microscope.‘It’s typical of him. He’s painted almost nothing and seen everything,’ she said at length.‘Now you begin to understand,’ Rudy approved. To hide her pleasure, Kate tossed her head and walked faster towards the half-ruined church that awaited them at the end of the path.

Thursday, 13 August 2015

Chasing Sunflowers - now in France!

Chasing Sunflowers - the books have arrived for distribution in France! 

Also available from https://completelynovel.com/books/chasing-sunflowers

Sunday, 9 August 2015

Chasing Sunflowers now available!

 Buy now!
Click on the picture to buy your copy

So excited - Chasing Sunflowers has arrived and the cover is stunning.

Officially published on the 29th July 2015 to coincide with the 125th anniversary of the death of Vincent van Gogh.

There's still lots of reading time this summer so don't miss it!

Click on the cover to buy your copy now. 


Kate, Sean and their young son Luke have moved to Amsterdam with Sean's job. Lonely and adrift in a strange city, Kate is drawn to the paintings of tormented genius Vincent van Gogh. Her decision to study his work leads her to the enigmatic and attractive artist, Rudy de Jong. Rudy paints her in his studio high over the canals but he refuses to speak of his life or his past. Art classes come to an end and, inspired by Vincent’s Sunflowers, Kate travels alone to France where she encounters Rudy for a second time…

Wednesday, 22 July 2015

Chasing Sunflowers - back and front cover!


One book, so many decisions, who knew?
11pt or 12pt?
Title pages/half title pages/dedications/permissions/copyright
Garamond or Palatino?
Who gets a review copy?
And how to brief a cover designer when the picture you have in your head comprises a medley of all the images in the entire book? 
But it's getting there. The Van Gogh Museum Amsterdam have kindly given permission to quote up to 50 words from Vincent’s letters for free – so one small panic over!
The cover now has a back and a spine and would have been perfect if I hadn't changed the type size at the last moment causing the book to be slightly wider. All delays my own fault!
The Advance Information Sheet is almost ready to send out and the list of people to send it to is growing exponentially. Will any of them be interested? 
They should be! Chasing Sunflowers is not only a good read but topical too and will be released to coincide (almost!) with 125 years of Van Gogh inspiration. He died on 29th July 1890 in Auvers-sur-Oise, France.
But Chasing Sunflowers is more about heroine Kate breaking out of her chrysalis than about Vincent van Gogh himself. Although she is inspired by his paintings the real catalyst is her attractive and mysterious art-history teacher who paints her in his studio in the trendy Jordaan area of Amsterdam. What happens next? You’ll have to read the book to find out!


Thursday, 16 July 2015

Chasing Sunflowers - the evolution of a book cover. Almost there!

Taken from:  Chasing Sunflowers

Kate turned sharply. The tall man with the pony tail and light blue eyes had somehow materialised at her elbow.
‘You are the woman with the young boy, I think? Or perhaps I am mistaken?’ He raised his eyebrows in polite query.
‘Er, yes, no,’ she heard herself stammer. ‘At least, I haven’t got my son with me.’
‘So I can see.’ The eyes glinted amusement. ‘You are perhaps staying a long time in our city so you can come often to this museum? You can come to know the artist well.’
‘I hope so.’ Kate surprised herself with the force of her words. ‘I love these paintings,’
‘Of course.’ The man’s expression stated clearly that anything less would be unreasonable.
He understood! Kate felt as though she had been given a shot of adrenalin.
‘This work,’ he indicated the Glass of Absinthe, ‘this was painted in Paris. I expect the setting is familiar to you. The light is green-grey. It’s a bit like London, perhaps? The Sunflowers on the other hand...’ with a light touch he turned her towards them, ‘...you must go south to know these. You cannot really understand these paintings until you see the zonnebloemen in the fields.’
She twisted back to face him. ‘You seem to know an awful lot about it all.’
‘Sure.’ He smiled. ‘As I told your son, I’m a painter but I also teach Van Gogh, here in the museum. We have a class starting next week. Why don’t you join us?’
Kate frowned. ‘I’d love to but the language...’
He held up his hands to silence her. ‘That would be no problem. You can start to learn Dutch and after the class we can take a coffee and go over everything in English.’
‘But really..,’ Kate stammered, ‘I mean, that would be great but...isn’t it a bit much to ask?’
‘Did you ask? I didn’t hear you. I thought I offered.’ He shook his head. ‘You don’t understand. I am Dutch, I don’t say things just to be polite.’
‘Thanks. I’ll think about it.’ She smiled, doubtfully.
‘I believe that’s English for ‘no’. Pity.’ He gave small shrug, his eyes crinkled at the corners. Kate felt their gaze like the strokes of a brush on her cheeks, tinting them red.
‘Anyway, I must leave,’ he concluded. ‘Enjoy your visit.’
She took a sharp breath as if to reply although she had no idea what she might have been about to say. It didn’t matter anyway because he had gone and she was left standing, exposed, in the middle of the gallery, her back hot where he had touched it. She shook herself and took another look at the Sunflowers, trying to imagine them in the fields of southern France.